From a Cine 21 interview: "The theme is consistent with previous works. At some point, someone disappears without reason. That place is Ladakh, and someone becomes obsessed with this person's disappearance and sets out to find them. They may or may not meet this person. However, the film observes this process, depicting the person traveling and the scenery they see, especially the plateau landscapes." From a film festival introduction: After a woman vanishes, K receives a postcard saying, "I hope you don't forgive yourself for being the cruelest to the one closest to you." K travels to Ladakh, a village in the Himalayan highlands that is the place of his memories with the woman, where he suffers from severe altitude sickness. Why did the woman disappear, and why is the man searching for her? Without providing a clear answer, the film silently records the landscapes K observes and the experiences of his journey. Although it appears to be a simple travel documentary, the journey following K is also a process of painful inner exploration, accompanied by nausea and dizziness. For instance, the camera quietly, or even coldly, shows a scene of K getting out of a car, vomiting in pain, circling a desert-like landscape, and then getting back into the car and leaving. The person who plays the main character K in the film is the director himself. In this fictional journey, he blurs the lines between fiction and documentary by sharing past photos he actually took when he visited this place with the local residents. In doing so, the film offers a glimpse that time is still continuing while simultaneously changing, reminiscent of his debut work. The director says, "Our hearts are now barren like a desert, but by the end of this journey, we will find a lush green oasis." (Kim Sung-wook)